line of heart

line land from graphic nothing, studio plastac, stefan schneider and origami penguin

the soul of things

photo by jamie m

secret chord

i like the way a neon and grey palette can be soft and subtle even if the thought of it is harsh. its strange to think of all the colours that fit in between fluoro and grey
grafik jan05...jil sander 08 / agnes martin

the way of paradoxes is the way of truth

why i love you too!

you had me at large format newspaper stock.


I Love You is my personal point of view
on fashion and lifestyle — like a blog, but printed.
said Christiane Bördner


another favourite newsprint magazine is the beautiful
acne paper as well as pie, and this one from 08

this newspaper printing machinery is scarily hypnotic...

day dreams and sleeping dreams

mystery jets flakes

curiousity had much to do with it

i have some kind of fetish for too many fonts in a small area...

1/2

beautiful caged things

rodarte rips, andy warhol's polaroids, grids and hiding. things that belong together for no real reason.

humanity takes itself too seriously

Flaxen Zine - Subsist / Michael Kosmicki

magic

hooks and stapler from air souvenir

i want to finish this picture today

i had this idea...(no i did!)
its sketched out in a sketchbook...(very vaguely)
anyway whats an idea. not very interesting. this is

needless to say i think this is pretty great.
basically its looking at blogging / internet content in print format. and what better medium than as a newspaper? restrained, templated design, fast paced, and so un-precious.
i love that the designer has kept the integrity of classic newspaper design elements, but also given it its own identity with some subtle and lovely typographic and space variations.
i also like that content wise its a complete spin on the default online/print relationship.

more details here
via graphichug

sought to escape

the knotting of a necktie, or the conduct of a cane

more here

decorated with thirteen hundred and twenty one parrots

ridiculous decadence!

modern alchemy

action and experiment

appreciate process images... especially when it comes to typography. this book looks like it is full of in-between stages.

work that is more enjoyable to create will, inherently, be more enjoyable to consume...

Adrian Frutiger - Typefaces. The Complete Works

Heidrun Osterer, Philipp Stamm, Schweizerische Stiftung Schrift (Eds.)

462 pp. 430 colour, 620 b/w ills.
24,5 x 31,0 cm, clothbound
ISBN 978-3-7643-8581-1 English

via graphichug