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Showing posts with label japan. Show all posts
Showing posts with label japan. Show all posts
11/19/09
10/21/09
losing my way in a labyrinth of grimy streets
spaces between...the ultimate grey area.
japan has the best alleyways and i became a little obsessed with photographing them when i was there...
Japanese architect Tsuyoshi Ando has explored this concept in his house of corridors... Mysterious, minimal and just extremely cool. see more at what we do is secret.
japan has the best alleyways and i became a little obsessed with photographing them when i was there...
Japanese architect Tsuyoshi Ando has explored this concept in his house of corridors... Mysterious, minimal and just extremely cool. see more at what we do is secret.
10/17/09
8/19/09
5/27/09
2/5/09
11/15/08
a genius
i am very interested in manipulating accidents to steer a design process. its a fact that change happens in the face of breakdowns. so to 'design a change' could be thought in terms of structuring an element of chance...
it takes a braniac like Sou Fujimoto to actually implement such things...
he seems to instill some form of disorder into the initial process, while the end products are aesthetically meticulous.
i have never been adverse to a slight institution feel... can always be counteracted with soft furnishings and well..the general chaos of life, but considering the above actually is a mental institution ...for kids ...in japan it seems a little cold, as in i would imagine they would have mini helmut lang uniforms, and be left to roam the grounds, chanting, in a semi-sedated follow the leader scenario. i know that is not the truth, but these shots (taken by the architect himself) do seem to accentuate the horror-film vibe.
It can be said that there is nothing center here and conversely, it can be said that there is a countless center. They are "relative centers" which always interchanges and changes with the consciousness of those who are there or the condition of light. (more here)
i love that this next one has an obvious 'front' and 'back' like a bended window box
I intended architecture to be primitive, in between natural and man-made
it takes a braniac like Sou Fujimoto to actually implement such things...
he seems to instill some form of disorder into the initial process, while the end products are aesthetically meticulous.
It can be said that there is nothing center here and conversely, it can be said that there is a countless center. They are "relative centers" which always interchanges and changes with the consciousness of those who are there or the condition of light. (more here)
i love that this next one has an obvious 'front' and 'back' like a bended window box
I intended architecture to be primitive, in between natural and man-made
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