forty of us in forty armchairs

thingsorganizedneatly / grandfathersaxe / vogue italia 'the new ease'

to define is to limit

anna hepler; exploring new spatial territory in a way only select geometric geniuses can. more here

secret chord

i like the way a neon and grey palette can be soft and subtle even if the thought of it is harsh. its strange to think of all the colours that fit in between fluoro and grey
grafik jan05...jil sander 08 / agnes martin

bring coffee, and fine champagne, and some cigarettes

preen SS10

soft fabrics, quiet palettes, fierce silouhettes. its not often you find all three in a collection.
this was exquisite...

humanity takes itself too seriously

Flaxen Zine - Subsist / Michael Kosmicki

don't speak

had been busy mixing his colours

the picture was still there

there's a switch that gets hit

and it all stops making sense
and in the middle of drinks
maybe the fifth or the sixth
i'm completely alone at a table of friends
i feel nothing for them

i don't like scenes, except on the stage

top 'little thing' scan via the lovely fifi lapin

i want to finish this picture today

i had this idea...(no i did!)
its sketched out in a sketchbook...(very vaguely)
anyway whats an idea. not very interesting. this is

needless to say i think this is pretty great.
basically its looking at blogging / internet content in print format. and what better medium than as a newspaper? restrained, templated design, fast paced, and so un-precious.
i love that the designer has kept the integrity of classic newspaper design elements, but also given it its own identity with some subtle and lovely typographic and space variations.
i also like that content wise its a complete spin on the default online/print relationship.

more details here
via graphichug

his name is prince paradox

via bored and beautiful

whispering

ryan wallace greg white

there is no such thing as a moral or immoral book. books are well written or badly written. that is all